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THE RONETTES

8/31/2014

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Legendary 1960s act led by inimitable Ronnie Spector embodied all that was cool about the girl-group aesthetic. 

On August 31, 1963, The Ronettes first entered the US singles chart with 'Be My Baby' the girl group's only top 10 hit. Lead singer, Veronica Bennett who became Ronnie Spector, took producer and ex-husband Phil Spector to court in the late 1990s for unpaid royalties. 

The Ronettes weren't the most commercially successful girl group, but their music was some of the most groundbreaking in the field, thanks to their association with the legendary Wall of Sound producer Phil Spector. Their biggest hit, "Be My Baby," is widely regarded as one of the crowning achievements of Spector's oeuvre, and of girl-group pop in general. In fact, many critics have deemed it one of the most supremely romantic records of the rock & roll era; Spector's production frames the song's yearning lyrics and Ronnie Bennett's sweetly sultry vocals in a sweeping, near-symphonic level of emotion. Even though the Ronettes never managed another hit as big as "Be My Baby," many of their subsequent singles boasted the same kind of creative synergy between Spector and Bennett. It apparently carried over into real life as well, since the two were married in 1968, not long after Bennett went solo. Unfortunately, the union was an unhappy one, as Spector soon turned reclusive and controlling, largely preventing her from recording (or even leaving the house). After their divorce, she recorded sporadically without much success, but became something of a female rock icon when she published her survivor's-tale autobiography.

The Ronettes were formed in the Washington Heights/Spanish Harlem area of New York City. Sisters Veronica (aka Ronnie) and Estelle Bennett and their cousin Nedra Talley first started harmonizing together as teenagers in 1959, inspired by doo wop groups like Frankie Lymon & the Teenagers and Little Anthony & the Imperials. First calling themselves the Darling Sisters, the trio also worked on their dance moves, and won the famed amateur talent contest at the Apollo Theater; afterward, they began formal vocal training. In 1961, they were standing in line to get into the Peppermint Lounge -- epicenter of the twist dance craze -- when a manager mistook them for an act he'd booked. They performed to great response, and were quickly hired as regulars. Later that year, they appeared in the film Twist Around the Clock, and danced in shows staged by disc jockey Murray the K. They also got a record deal with the Colpix label, issuing their debut single "I Want a Boy" as Ronnie & the Relatives that year. Follow-up singles credited the group as the Ronettes, including "I'm on the Wagon," "Silhouettes," and "Good Girls," but none were anything more than regionally popular.

The Ronettes caught their big break when they met Phil Spector, who saw in them talent he could mold to his specifications; he was already tiring of his association with the Crystals, substituting outside singer Darlene Love on several records credited to them. Spector signed the Ronettes to his Philles label, where they were given a more defined image than most female artists of the time. They were still sweet and feminine, to be sure, but they had hints of attitude -- they were photographed with tall hairdos, heavy eyeliner, and tight skirts. Moreover, their songs dared to address the objects of their affection directly ("I love you" as opposed to "I love him"), even -- on a subliminal level -- seductively. Spector lavished all his attention on his new protégées, collaborating on material with some of the top Brill Building songwriting teams. Their first Philles single was "Be My Baby," a tune Spector co-wrote with Jeff Barry and Ellie Greenwich especially as a showcase for Ronnie Bennett. Right from the often-imitated drum kick that opened the song, "Be My Baby" announced itself as a pop classic;Spector's lush arrangement seemed to echo into infinity, while Bennett's sweet vulnerability captured the hearts of enough teenage male listeners to send the song to number two on the pop charts and number four R&B. It also became the all-time favorite record of Beach Boy Brian Wilson, who was directly inspired to emulate Spector's arsenal of production innovations; he also penned "Don't Worry Baby" for the Ronettes in tribute, but when Spector refused the song, the Beach Boys recorded it themselves for a hit.

None of the Ronettes' other singles even managed to make the Top 20, but they continued to turn out high-quality work over the next two years. Their next hit, 1964's "Baby, I Love You," featured Leon Russell as the session pianist, as well as backup vocal support from Darlene Love and a young Cher. Subsequent singles like "(The Best Part Of) Breakin' Up," "Do I Love You?," "Walking in the Rain," and "Is This What I Get for Loving You?" still rank as all-time girl-group classics; "Walking in the Rain" went on to win a Grammy for Best Sound Effects, the only one Spector ever received. Meanwhile, Spector was testing the waters for Bennett as a solo artist; she recorded a song under the name Veronica, "So Young," which nonetheless included backup harmonies by the other two Ronettes (it was withdrawn not long after release).

With his attention consumed by Tina Turner in early 1966, Spector put the Ronettes on the back burner; one of his final sides with the group, the lovely "I Wish I Never Saw the Sunshine," was never even released. Jeff Barry produced the final Ronettes single for Philles, "I Can Hear Music," in late 1966. Shattered by the cool reception afforded his magnum opus, the Ike & Tina Turner single "River Deep-Mountain High," Spector soon shut down the Philles label, and the Ronettes disbanded. Spector left his wife to marry Bennett in 1968, and the two lived together in Spector's L.A. mansion. However, his behavior grew increasingly erratic and controlling. In spite of Ronnie's ambitions for a solo career, Spector took pains to ensure that she remained at home -- not just refusing to book recording sessions, but not even allowing her to leave the house without his permission. He became psychologically abusive, allegedly threatening to kill her, monitoring her phone calls, and forbidding her to read books or see friends. When the couple failed to conceive children, Spector adopted three -- the last two without even consulting his wife -- which ensured that she was kept busy at home. Even amid all of this, two singles made their way to release -- 1969's aptly titled "You Came, You Saw, You Conquered" (which was credited to the Ronettes Featuring the Voice of Veronica), and 1971's "Try Some, Buy Some," issued on the Beatles' Apple label.

Ronnie left her husband in 1973, and their divorce was finalized the following year; reportedly, Spector made a substantial alimony payment by sending Ronnie a truckload of dimes. Nonetheless, Ronnie kept his last name, and formed a new version of the Ronettes with Denise Edwards and Chip Fields; they recorded a couple of singles for Buddah over 1973-1974, but none charted. Ronnie Spector released several solo records during the late '70s without much success; she did return to the spotlight as a guest vocalist on rocker Eddie Money's Top Five hit "Take Me Home Tonight" in 1986. Two years later, on the heels of a "Be My Baby" revival in the film Dirty Dancing, the three original Ronettes sued Spector for nonpayment of royalties; the case dragged on for years and years. In 1990, Ronnie published her autobiography Be My Baby: How I Survived Mascara, Miniskirts, and Madness; the book was a sensation thanks to its detailed account of her bizarre relationship with Spector, though she maintained that she had been genuinely in love with him at the start, and that he was never physically abusive to her. In late 2001, a New York court announced a verdict in favor of the Ronettes, ordering Spector to pay nearly three million dollars in back royalties; the judgment was later overturned on appeal, but part of the case was sent back to a lower court, renewing the group's hopes.


"Honor the past, don't just remember it." Dizzie Gillespie
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    El Caobo &
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    • Curso virtual de español del nivel intermedio-alto
    • SALSA DANCE CLASSES with EL CAOBO (Thursdays & Saturdays)
    • 2020 ST LOUIS SALSA CONGRESS
    • ECI TUESDAY STEPPING UNDER THE STARS 2020
    • ECI WEDNESDAY SALSA BACHATA & MORE UNDER THE STARS AT PIER 31!
    • 2019 IIT / IITRI FACULTY & STAFF HOLIDAY PARTY (December 10, 2019)
    • BEGINNER CONVERSATIONAL SPANISH COURSE
    • INTERMEDIATE / ADVANCED CONVERSATIONAL SPANISH COURSE
    • 2019 ST LOUIS SALSA CONGRESS
    • ECI TUESDAY STEPPING UNDER THE STARS
    • ECI WEDNESDAY SALSA MAMBO BACHATA & MORE AT PIER 31!
    • NIGHT OUT IN THE PARKS
    • SALSA MAMBO BACHATA AT CHICAGO SUMMERDANCE (Wednesday, July 31, 2019)
    • 2019 ILLINOIS TECH / IITRI FACULTY & STAFF FAMILY PICNIC (Tuesday, July 16, 2019)
    • 1st SATURDAYS SOUL SATISFIED!
    • 2018 IIT / IITRI FACULTY & STAFF SERVICE AWARDS and HOLIDAY PARTY (December 11, 2018)
    • ST LOUIS INTERNATIONAL SALSA CONGRESS, BACHATA FESTIVAL & AFRO-LATIN DANCE FESTIVAL
    • SALSA BACHATA & MORE AT PIER 31! EVERY TUESDAY!
    • NIGHT OUT IN THE PARKS 2019
    • BACHATA DANCE PARTY AT CHICAGO SUMMERDANCE (Saturday, August 11, 2018)
    • OUTDOOR REGGAE RETREAT AT PIER 31! (EVERY SATURDAY)
    • 2018 ILLINOIS TECH / IITRI FACULTY & STAFF FAMILY PICNIC (Wednesday, July 18, 2018)
    • BACHATA SOCIAL AT THE PROMONTORY (Wednesday, May 2, 2018)
    • SALSA SPRING FLING DINNER & DANCING AT T AND JJ'S (Friday, April 6, 2018)
    • BACHATA SOCIAL AT THE PROMONTORY (Tuesday, April 3, 2018)
    • SALSA AT THE PROMONTORY (Wednesday, March 14, 2018)
    • THE PARTY: THE DUKE'S CLASSIC SOUL & R&B REVUE - SATURDAY, FEBRUARY 10, 2018
    • BKS LATIN DANCE PARTY (DECEMBER 15, 2017)
    • 2017 IIT / IITRI FACULTY & STAFF SERVICE AWARDS and HOLIDAY PARTY (December 11, 2017)
    • RiitMO SALSA BACHATA & MORE at IIT (FRIDAY, SEPTEMBER 29, 2017)
    • SALSA MAMBO BACHATA & MORE at the MIDWAY PLAISANCE PARK
    • SALSA MAMBO BACHATA & MORE at PING TOM MEMORIAL PARK - THURSDAY, JULY 20, 2017
    • STEPPING INTO HYDE PARK
    • LOFT SALSA PARTY (EVERY 2nd WEDNESDAY OF THE MONTH)
    • MAMBO MAYHEIM DANCE PARY (EVERY 1st TUESDAYS OF THE MONTH)
    • INTERNATIONAL SILENT SALSA DANCE PARTY (Sunday, December 18, 2016)
    • 3rd SUNDAY SOUL SATISFIED!
    • ECI WEDNESDAY STEPPING UNDER THE STARS
    • ELEVATION JUNE 18, 2016
    • STEPPING at the CHICAGO CULTURAL CENTER, APRIL 15, 2016
    • THE TOSS UP III - LATIN BEGINNING'S 1 YEAR ANNIVERSARY MARCH 12, 2016
    • GILBERTO SANTA ROSA - Santurday, March 5, 2016
    • SALSA BACHATA & KIZOMBA PARTIES AT 26TH ANNUAL AFRICAN FESTIVAL OF THE ARTS - SEPT 4TH & 5TH
    • VICTOR MANUELLE "QUE SUENEN LOS TAMBORES" TOUR, SATURDAY, AUGUST 29, 2015
    • VICTOR MANUELLE "MEET & GREET" - Friday, August 28, 2015
    • SUMMERTIME HOTSPOT SOCIAL AT MMA! Saturday, July 25, 2015
    • EL CAOBO AT CLUB VIVA IN ST. LOUIS!
    • SALSA BACHATA & MORE AT N'ZURI ENTERTAINMENT CENTER! (1st Wednesadys of the month)
    • SALSA | MAMBO | BACHATA | CHA-CHA-CHÁ at AUSTIN TOWN HALL PARK - January 24, 2015
    • CHRISTMAS DANCE IN HUNTSVILLE!
    • BLDA'S SEVEN TEN SALSA BACHATA & CHA CHA CHA NIGHT
    • LE's 3 YEAR ANNIVERSARY with VERA and URI
    • SPECIAL EVENT: SAN ANTONIO
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        • APRIL 11, 2017 (MAYSA)
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        • JANUARY 10, 2017 (SHIRLEY JONES)
        • JANUARY 3, 2017 (K'JON)
        • SEPT 13, 2016 (MAYSA)
        • JULY 12, 2016 (Dee Robinson)
        • May 10, 2016 (New Orleans Beau)
        • DECEMBER 1, 2015 - TRACY HAMLIN
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